Explore All Publications

The Tantra of Subāhu’s Questions is a Kriyātantra scripture that presents a series of practices and rites that can be employed in diverse Buddhist ritual contexts, rather than for a specific deity or maṇḍala. The tantra records a conversation between the Buddhist deity Vajrapāṇi and the layman Subāhu, whose questions prompt Vajrapāṇi to share a wealth of instructions on ritual practices primarily intended to bring about the accomplishment of worldly goals. The rites described in The Tantra of Subāhu’s Questions address concerns about health, spirit possession, the accumulation of wealth and prosperity, and warding off destabilizing and obstructing forces. Special attention is given to rites for animating corpses and using spirits and spirit mediums for divination purposes. Despite the generally worldly applications for the rites explained to Subāhu, Vajrapāṇi is careful to establish the Mahāyāna orientation that must frame them: the quest for complete liberation guided by ethical discipline, insight into the faults of saṃsāra, and the motivation to alleviate the suffering of other beings and assist them in reaching awakening.

This short text contains a set of verses spoken by the Buddha as he put an end to the epidemic of Vaiśālī, extracted from one of the two main accounts of that episode. The verses call for well-being, especially by invoking the qualities of the Three Jewels and a range of realized beings and eminent gods. The text comprises two passages from the parent work, and of these the first and longest corresponds closely to a well-known Pali text, the Ratana-sutta, widely recited for protection and blessings.

The short aspiration The Auspiciousness of the Three Families consists of three benedictory verses lauding the lords of the three families, Mañjuśrī, Avalokiteśvara, and Vajrapāṇi, as expressions of the auspiciousness of the Sugata’s body, speech, and mind.

‍

The Auspiciousness of the Three Families is a short aspiration prayer that consists of three verses lauding the lords of the three families, Mañjuśrī, Avalokiteśvara, and Vajrapāṇi, as expressions of the auspiciousness of the Sugata’s body, speech, and mind.

The Threefold Invocation Ritual invokes all the deities of the threefold world that have “entered the path of compassion” and are “held by the hook of the vidyāmantra” to gather, pay heed to the person reciting this text (or the person for whom it is recited), and bear witness to the proclamation of that person’s commitment to the Buddhist teachings. A profound aspiration to practice ten aspects of a bodhisattva’s activity is then followed by a dedication and a prayer for the teachings.

The Threefold Ritual contains a short liturgy for invoking the pantheon of worldly deities, inviting these beings to seize the rare opportunity to listen to the Dharma, and proclaiming the aspiration that all the worldly beings that have gathered to hear the Dharma receive their share of the merit one has generated.

The Dhāraṇī of the Jewel Torch starts with a profound conversation between the Buddha and the bodhisattvas Samantabhadra and Mañjuśrī on the nature of the dharmadhātu, buddhahood, and emptiness. The bodhisattva Dharma­mati then enters the meditative absorption called the infinite application of the bodhisattva’s jewel torch and, at the behest of the millions of buddhas who have blessed him, emerges from it to teach how bodhisattvas arise from the presence of a tathāgata and progress to the state of omniscience. Following Dharma­mati’s detailed exposition of the “ten categories” or progressive stages of a bodhisattva, the Buddha briefly teaches the mantra of the dhāraṇī and then, for most of the remainder of the text, encourages bodhisattvas in a long versified passage in which he recounts teachings by a bodhisattva called Bhadraśrī on the qualities of bodhisattvas and buddhas. Some verses from this passage on the virtues of faith have been widely quoted in both India and Tibet.

The Dhāraṇī of the Tathāgata Jñānolka opens with a description of a group of four tathāgatas and four bodhisattvas, who are seated in the celestial palace of the Sun and the Moon. The deities of the Sun and Moon return to their celestial palace from elsewhere and, seeing these tathāgatas and bodhisattvas, both wonder whether they might obtain a dhāraṇī that would allow them to dispel the darkness and shine a light upon all beings. The tathāgatas, perceiving the thoughts of the Sun and Moon, provide them with the first dhāraṇī in the text. The bodhisattva Samanta­bhadra then provides a second dhāraṇī and instructs the deities of the Sun and Moon to use it to free beings who are bound for rebirth in the lower realms‍—even those who have been born in the darkest depths of the Avīci hell.

The Buddha, while at the Jetavana in Śrāvastī, tells Mañjuśrī of a buddha realm far above the world, in which lives the Buddha Aparimitāyur­jñāna. He states that those who recite, write, hear, and so on, the praise of this buddha, or make offerings to this text, will have numerous benefits, including a long life and a good rebirth. As vast numbers of buddhas recite it, the mantra, or dhāraṇī, of this buddha is repeated numerous times. This is the best known of the two versions of this sūtra in the Kangyur.

The Dhāraṇī “Essence of Immeasurable Longevity and Wisdom” opens at a pool by the Ganges, where the Buddha Śākyamuni is seated with five hundred monks and a great saṅgha of bodhisattvas. The Buddha begins with a short set of verses on the Buddha Aparimitāyus, who dwells in the realm of Sukhāvatī, telling the gathering that anyone who recites Aparimitāyus’ name will be reborn in that buddha’s realm. He then provides a unique description of Sukhāvatī, followed by instructions for two practices, related to the text’s dhāraṇī, that can grant rebirth in Sukhāvatī in the next life.

The Dhāraṇī that Praises the Qualities of the Immeasurable One contains a short dhāraṇī mantra praising the tathāgata Amitābha and brief instructions on the benefits that result from its recitation.

The Seven Buddhas opens with the Buddha Śākyamuni residing in an alpine forest on Mount Kailāsa with a saṅgha of monks and bodhisattvas. The Buddha notices that a monk in the forest has been possessed by a spirit, which prompts the bodhisattva Ākāśagarbha to request that the Buddha teach a spell to cure diseases and exorcise demonic spirits. The Buddha then emanates as the set of “seven successive buddhas,” each of whom transmits a dhāraṇī to Ākāśagarbha. Each of the seven buddhas then provides ritual instructions for using the dhāraṇī.

The Twelve Buddhas opens at Rājagṛha with a dialogue between the Buddha Śākyamuni and the bodhisattva Maitreya about the eastern buddhafield of a buddha whose abbreviated name is King of Jewels. This buddha prophesies that when he passes into complete nirvāṇa, the bodhisattva Incomparable will take his place as a buddha whose abbreviated name is Victory Banner King. Śākyamuni then provides the names of the remaining ten tathāgatas, locating them in the ten directions surrounding Victory Banner King’s buddhafield Full of Pearls. After listing the full set of names of these twelve buddhas and their directional relationship to Victory Banner King, the Buddha Śākyamuni provides an accompanying mantra-dhāraṇī and closes with a set of thirty-seven verses outlining the benefits of remembering the names of these buddhas.

The Discourse of the Dhāraṇī of the Buddha’s Essence is a short work in which the Buddha Śākyamuni, addressing an immense gathering of bodhisattvas, teaches two dhāraṇīs to be recited as a complement to the practice of recollecting the Buddha, and then explains the beneficial results of reciting them. The significance of the teaching is marked by miraculous signs, and by the gods offering flowers and ornaments. The text also provides a set of correspondences between the eight ornaments offered by the gods and eight qualities that ornament bodhisattvas.

The Dhāraṇī of the Buddha’s Essence is structured as a dialogue between the Buddha and a retinue of gods from the Śuddhāvāsa realm. The dialogue revolves around the Buddha’s parinirvāṇa and the role that the gods of Śuddhāvāsa can play in continuing to guide beings in his absence until the next tathāgata appears in the world. The Dhāraṇī of the Buddha’s Essence is then introduced as the specific instruction that the gods of Śuddhāvāsa should preserve and propagate after Śākyamuni has departed. The Buddha then provides a list of benefits that members of the saṅgha can accrue by reciting this dhāraṇī.

The Dhāraṇī Endowed with the Attributes of All the Buddhas details a brief exchange between the Buddha and the four guardian kings of the world, that is, the four divine beings who rule over the cardinal directions in the Indian Buddhist tradition. Pursuant to a description of the fears that plague mankind, the Buddha declares that he will provide remedies for them. Invoking the presence of numberless buddhas in the limitless world systems described in Buddhist cosmology, the Buddha and the four kings provide several mantras of varying lengths meant for daily recitation, with the stated benefits not only of averting all manner of calamities‍—untimely death, illness, and injury chief among them‍—but of attracting the attention and blessings of all the buddhas and bodhisattvas, and ensuring good health and benefit for the practitioner and all beings.

The Noble King of Spells, the Dhāraṇī of Agrapradīpa presents six distinct dhāraṇī formulas that can be used for protection from threatening forces and illness, to facilitate the path to awakening, and to bring the practitioner into harmony with other beings. As the Buddha Śākyamuni resides at Jeta’s Grove near the city of Śrāvastī, he is visited by two bodhisattvas sent as emissaries by the Buddha Agrapradīpa, who resides in a distant buddhafield named Infinite Flowers. These bodhisattvas present the first of the six dhāraṇīs as an offering to Śākyamuni from Agrapradīpa. Inspired by their example, additional dhāraṇīs are then presented: one each by Maitreya and Mañjuśrī, two by Śākyamuni himself, and a final formula recited by the Four Great Kings. After the presentation of each dhāraṇī, the Buddha tells Ānanda of the rarity of such dhāraṇīs and describes the benefits that accrue from their recitation.

This short dhāraṇī contains the essence mantra of Śākyamuni. After a formulaic homage to the Buddha Śākyamuni, his essence mantra is presented followed by a description of the benefits of its recitation.

The Dhāraṇī “The Essence of Vairocana”, which pays homage to the Three Jewels, the Buddha Vairocana, and the bodhisattva mahāsattva Ākāśagarbha, contains the dhāraṇī of Vairocana or Ākāśagarbha. It lists the following benefits for one who recites it: protection from weapons, fire, water, poison, poisoned food and drink, hostile magic, kings, thieves, epidemics, pain, contagions, and so forth, and the attainment of the samādhi called stainless light.

This very short text gives the Essence Dhāraṇī of the Medicine Buddha, Bhaiṣajya­guru­vaiḍūrya­prabha­rāja.

This short untitled text teaches a dhāraṇī and a rite for its practice.

Recollecting the Name of Moonlight contains the dhāraṇī of the Buddha Moonlight. The benefits of recollecting the Buddha Moonlight’s name every morning after rising are that one will remember all one’s lives of the past forty thousand kalpas, one will not fall into the lower realms after death, and one will attain the attributes of awakening.

Recollecting the Common Essence of the Tathāgatas includes a short dhāraṇī and a brief statement on the benefit of its recitation for the purpose of purifying karmic obscurations.

Recollecting the Names of the Buddha Ratnaśikhin includes a short dhāraṇī and the brief statement that if it is recited at the time of death, one will avoid lower rebirth and be reborn in the Heaven of the Thirty-Three.

One Hundred and Eight Names of Youthful Mañjuśrī Accompanied by His Dhāraṇī-Mantra is a text notably combining two genres of Buddhist literature: the dhāraṇī and the stotra or praise text. As a praise text, it may be further categorized within the subgenre of praises of one hundred and eight names. The text opens with homage and praise to the buddhas of the ten directions and two brief praises to Mañjuśrī. Then Mañjuśrī himself articulates a Sanskrit dhāraṇī, which precipitates miracles and prompts the assembled gods to praise him by way of reciting a litany of his hundred and eight names. Upon its conclusion, Mañjuśrī expresses his pleasure, whereupon the Tathāgata expounds the dhāraṇī’s benefits, blesses the gods who spoke the hundred and eight names in praise, and lastly explains in considerable detail the practice of the praise’s recitation and the benefits thereof.

On his way to honor a brahmin’s invitation for a midday meal, the Buddha comes across an old stūpa that resembles a rubbish heap. Subsequently, while in conversation with Vajrapāṇi, the Buddha reveals that the stūpa contains the doctrinal synopsis for a dhāraṇī that embodies the essence of the blessings of innumerable buddhas. He also explains that the stūpa is, in fact, made of precious materials and that its lowly appearance is merely due to the lack of beings’ merit. The Buddha then extols the merit that results from copying, reading, and worshiping this scripture, and he enumerates the benefits that arise from placing it in stūpas and buddha images. When he pronounces the actual dhāraṇī, the derelict old stūpa is restored to its former glory.

The Dhāraṇī for a Caitya is a short manual on the ritual preparation for and casting of small caityas from clay. The ritual has three main parts: a description of the general transformative power of the dhāraṇī, the preparation rituals for the ground and clay, and rituals for the consecration of the cast images. The main dhāraṇī, with the name vimaloṣṇīṣa, “stainless uṣṇīṣa,” was widely used in central and northeast Asian Buddhism, especially in the context of purification, consecration, and inauguration rituals.

The text comprises a teaching given by the Buddha Śākyamuni to the bodhisattva Siṃhavikrīḍita in response to his question: what kind of merit does one gain by worshiping the Tathāgata? The Buddha addresses the question by stating that the merits of the awakened ones are limitless, thus any merit accrued by worshiping them, whether face to face or in the form of a caitya, is also limitless. What truly matters is the worshiper’s mental attitude. He then continues by teaching a dhāraṇī accompanied by a short practice and describes its benefits.

This text, revealed to Ānanda at Śrāvastī, consists of a series of short spells followed by their application and benefits. The dhāraṇīs, whose powers are praised at length, are meant to protect from various dangers and illnesses, but they can also aid in attaining spiritual accomplishments, such as the recollection of past lives or not forsaking the resolve of awakening.

The Dhāraṇī “Maitreya’s Pledge” is a short dhāraṇī centered on Maitreya, the bodhisattva who will, as alluded to in this text, awaken as the next buddha in our world. Its dhāraṇī consists of a root mantra, heart mantra, and auxiliary heart mantra and is followed by Maitreya’s vow to benefit beings. The benefits of the dhāraṇī range from receiving prophecies for awakening to acquiring one’s desired material enjoyments. Since these benefits also extend to animals, the text advocates reciting its dhāraṇī so that animals may hear it as well.

The Dhāraṇī of Āvaraṇaviṣkambhin presents two short dhāraṇīs that purify evil deeds, ease the dying process, and bring about birth in the heavenly realms.

Spoken by Mañjuśrī Himself provides an incantatory practice taught by Mañjuśrī. The dhāraṇī has two sections: the first extols Mañjuśrī as a tathāgata, an arhat, and a perfectly awakened buddha, and the second invokes a bhagavatī who is praised as an illuminator and supplicated for protection.

Mañjuśrī’s Sworn Oath provides instruction in an incantatory practice focused on Mañjuśrī, in the form of a vidyā that Mañjuśrī himself pronounces. The vidyā unfolds in a series of forceful imperatives suggestive of battle, conquest, and celebration, and after enunciating it, Mañjuśrī explains that its recitation will lead to virtuosity in the memorization of scriptural verses. The benefits of recitation are then enumerated in more detail, relative to the number of times it is recited and whether the recitation is accompanied by ritual performance. As indicated by the title, Mañjuśrī then swears an oath to assure the vidyā’s efficacy, pledging to take on the karmic burden of the five misdeeds with immediate retribution should its promised benefits fail to ensue.

The Epithets of Mañjuśrī is a concise scripture consisting of a salutation to Mañjuśrī that highlights the qualities of his speech, a thirty-six-syllable Sanskrit dhāraṇī, and a one-sentence statement of the benefit accrued by twenty-one recitations thereof.

Mañjuśrī’s Increasing of Insight and Intelligence is a short dhāraṇī scripture centered on the figure of Mañjuśrī. It opens with a salutation to the Three Jewels, followed by the Sanskrit dhāraṇī proper, and concludes with an enumeration of the benefits accrued by its memorization. These include the swift attainment of intelligence, a melodious voice, and a beautiful appearance. It also extols physical contact with the material text, which is said to enable recollection of one’s former lives. The scripture concludes with a brief statement of the benefits accrued by extensive recitation, which culminate in beholding the very face of Mañjuśrī.

The Procedure for Mañjuśrī's Single-Syllable Mantra is a pithy text extolling an exceedingly secret and potent single-syllable mantra. Following a note regarding its universal efficacy, the remaining portion of the text outlines ritual applications for the remediation of specific ailments through the consecration of common items as sacral implements in rites of healing.

This is one of two short texts with the same title, The Noble Hundred and Eight Names of Avalokiteśvara, each of which enumerates the hundred and eight “names” of Avalokiteśvara, which are more like descriptive epithets. The first part of the text describes his many excellent qualities. The second part of the text describes the benefits that result from praising Avalokiteśvara with these names.

In this short sūtra, the bodhisattva Samantabhadra asks the Buddha to reveal The Mother of Avalokiteśvara, a powerful dhāraṇī that helps practitioners progress on the path to awakening. The Buddha grants his request and relates how he had himself received the dhāraṇī. Samantabhadra then speaks the dhāraṇī, after which the Buddha states its benefits.

The Dhāraṇī of Siṃhanāda, also known as The Dhāraṇī of Siṃhanāda’s Promise, is a short work that teaches a dhāraṇī of Avalokiteśvara’s form as Siṃhanāda, “Lion’s Roar,” and gives a short instruction for using it to cure illness.

The Dhāraṇī of Accomplishing the Boundless Gateways narrates the Buddha’s transmission of a dhāraṇī to a vast assembly of monks and bodhisattvas. It explains the dhāraṇī’s purpose and benefits, what qualities must be possessed in order to obtain it, and how its practice leads to the state of enlightenment.

‍

While the Buddha is abiding in the space above the Śuddhāvāsa realm with a retinue of bodhisattvas, he urges them to uphold The Dhāraṇī of the Six Gates and presents these gates as six aspirations that vanquish the causes of saṃsāric experience. He then presents the dhāraṇī itself to his listeners and instructs them to recite it three times each day and three times each night. Finally, he indicates the benefits that come from this practice, and the assembly praises the Buddha’s words. This is followed by a short dedication marking the conclusion of the text.

The Two Stanza Dhāraṇī consists of two initial verses that enumerate eight obscurations and their antidote‍—the Mahāyāna teachings‍—followed by a dhāraṇī and three verses that list the ten beneficial results of reciting the text.

This short text presents a set of mantras that, when placed inside a stūpa, multiply the merit of having built one stūpa by one hundred thousand. These dhāraṇīs are specifically said to be of benefit to future generations whose merit will be weak.

The Dhāraṇī of Dhvajāgrakeyūrā takes place in the Heaven of the Thirty-Three. The gods have just been defeated by the asuras, and Śakra, lord of the gods, rushes to the Buddha for help. The Buddha instructs Śakra to retain the dhāraṇī known as The Dhāraṇī of Dhvajāgrakeyūrā. After transmitting the dhāraṇī, the Buddha explains that people who recite and retain it become victorious in conflicts. He also states that people who attach it atop standards or tie it around the neck will be protected and that the dhāraṇī will manifest in the form of the female deity Dhvajāgrakeyūrā, who will always be with them, eliminating fear, affording protection, and granting all good things such as good reputation and abundance.

The Dhāraṇī That Fully Confers Freedom From All Dangers is set in Indra’s Rock Cave on Vaidehaka Mountain where Śakra requests the Buddha for a teaching to help him subdue the asuras, the famed adversaries of the devas. The Buddha instructs Śakra to employ the vidyāmantra that confers freedom from all dangers. This vidyāmantra specifically frees one from dangers associated with disease, poisons, weapons, malevolent nonhuman beings, and conflicts. Among the harmful nonhuman beings, the text places a particular emphasis on grahas, a class of beings who “seize,” possess, or otherwise adversely influence other beings by causing a range of physical and mental afflictions, as well as various types of misfortune. After the Buddha recites the vidyāmantra, he offers Śakra ritual instructions on how to incant the vidyāmantra on threads, ritual substances, or armor which, when placed on the body, ensures protection and the successful outcomes of one’s rituals.

This text consists of a short dhāraṇī said to encompass the longest sūtra in the Kangyur, The Perfection of Wisdom in One Hundred Thousand Lines (Toh 8), and the benefits of its recitation.

This text consists of a short dhāraṇī said to encompass The Perfection of Wisdom in Twenty-Five Thousand Lines (Toh 9) and the benefits of its recitation.

This text consists of a short dhāraṇī said to encompass one of the most esteemed sūtras in the Kangyur, The Perfection of Wisdom in Eight Thousand Lines (Toh 12), and the benefits of its recitation.

The text presents a simple dhāraṇī in the form of a mnemonic expression consisting of homages to the three bodies of a buddha, the six perfections, and their underlying philosophical understanding. The benefits of the dhāraṇī are also listed.

This text presents a series of dhāraṇīs for the attainment of each of the perfections.

This text presents a single dhāraṇī for the attainment of the ten perfections.

This text presents two dhāraṇīs for the retention of The Perfection of Wisdom Sūtra in One Hundred Thousand Lines.

This text presents a single dhāraṇī to enable the retention of the Avataṃsakasūtra.

This text consists of a short dhāraṇī said to encompass a famous sūtra in the Kangyur, The Stem Array (Toh 44–45), and the benefits of its recitation.

This text consists of a short dhāraṇī said to encompass a famous sūtra in the Kangyur, The King of Samādhis Sūtra (Toh 127), and the benefit of its recitation.

This text consists of a short dhāraṇī said to encompass a famous text for protection in the Kangyur, The Great Peahen (Toh 559), and the benefit of its recitation.

This text consists of a short dhāraṇī said to encompass a famous text for protection in the Kangyur, The Great Amulet (Toh 561), and the benefit of its recitation.

This text consists of a short dhāraṇī, the recitation of which is said to be equivalent to reciting one of the most famous sūtras in the Kangyur, The Descent into Laṅkā (Toh 107), from which it is an extract.

In this concise text, Vajrapāṇi, through the power and blessings of the Buddha and all bodhisattvas, proclaims a series of powerful dhāraṇī-mantras. The text concludes with verses on the benefits of the dhāraṇī and a simple ablution ritual.

The Dhāraṇī “Dream Visions” presents a dhāraṇī and a short ritual for producing visions in dreams.

The Dhāraṇī of Vajrapāṇi, the Yakṣa Lord is a short work that teaches a vidyāmantra of Vajrakumāra, which is said to repel and avert illness, as well as other malevolent actions perpetrated by a variety of spirits and enemies, and to grant protection to the individual who recites or wears it.

The Dhāraṇī of Vajrabhairava is a short text presenting both a series of “vajra statements” (Tib. rdo rje tshig), which it calls the “essence of all vidyā and mantra,” and a dhāraṇī, followed by instructions for the dhāraṇī's associated rites. These include rites for countering and repelling enemies, subjugating nāgas and preventing hail, curing illness, and even protecting liquor from spoilage.

In Auspicious Night, the deity Candana appears before a monk in Rājagṛha and asks if he knows of the Buddha’s teaching called Auspicious Night. Since the monk has never heard of it, the deity encourages the monk to ask the Buddha himself, who is staying nearby. At the monk’s request, the Buddha teaches him how to continuously remain in a contemplative state by following these guidelines: do not follow after the past, do not be anxious about the future, and do not be led astray or become distracted by presently arisen states. The Buddha then teaches several mantras and incantations for the welfare of all sentient beings and explains the apotropaic and salvific benefits of the instructions.

While the Buddha is residing in the Realm of the Thirty-Three Gods with a retinue of deities, great hearers, and bodhisattvas, Avalokiteśvara asks the Buddha how beings can gain merit from building a stūpa. The Buddha responds by stating the Buddhist creed on dependent arising:

The Buddha then explains that this dependent arising is the dharmakāya, and that whoever sees dependent arising sees the Buddha. He concludes the sūtra by saying that one should place these verses inside stūpas to attain the merit of Brahmā.

This brief dhāraṇī text presents a translation and transliteration of the well-known Sanskrit ye dharma formula, the essence of the Buddha’s teachings on dependent arising. The text also describes several benefits of reciting this dhāraṇī, including the purification of negative actions.

The Noble Uṣṇīṣavijayā Dhāraṇī That Purifies All Lower Rebirths opens with an account of the god Supratiṣṭhita, who seeks the god Śakra’s advice after learning of his own impending death and rebirth in the lower realms. Realizing that the Tathāgata is the only true refuge from lower rebirth, Śakra goes to the Buddha, who explains to him the benefits of the Uṣṇīṣavijayā Dhāraṇī and a number of rituals related to it that can liberate Supratiṣṭhita and all beings from rebirth in the lower realms.

This text presents a spell (vidyā) featuring the female deity Sitātapatrā (White Umbrella Goddess), which issues from the uṣṇīṣa of the Buddha Śākyamuni as he rests in samādhi among the gods of the Heaven of the Thirty-Three. The text details a litany of dangers, illness, and threats and provides spell formulas that can be recited to avert them. Sitātapatrā and her spell have enjoyed a long history and sustained popularity as a source of security against illness and misfortune, and her spell is widely used in contemporary Buddhist communities to this day.

This text presents a dhāraṇī featuring the female deity Sitātapatrā (White Umbrella Goddess) that provides a magical means to avert a litany of dangers, illness, and threats. Sitātapatrā and her spell have enjoyed a long history and sustained popularity as a source of security against illness and misfortune, and her spell is widely used in contemporary Buddhist communities to this day.

The Tantra of the Play of the Goddess Uṣṇīṣā is a short tantra concerning a series of disease-causing spirits and the incantations that avert them.

The Mārīcī Dhāraṇī opens at Prince Jeta’s Grove in Śrāvastī, where the Buddha Śākyamuni introduces a saṅgha of monks and bodhisattvas to the goddess Mārīcī by listing her unique qualities and powers. The Buddha then teaches the saṅgha six dhāraṇī mantras related to the goddess Mārīcī.

The Dhāraṇī of the Goddess Cundā consists of an homage, invocation, and description of the Goddess Cundā followed by a request to Cundā for protection and good fortune.

The Yaśovatī Dhāraṇī is a collection of six dhāraṇīs that can be recited to cure and protect oneself from various illnesses, avert the influence of demonic beings, and, in one case, to revive the recently deceased.

The Dhāraṇī of Parṇaśavarī is a short dhāraṇī dedicated to the piśācī Parṇaśavarī, who is renowned in Buddhist lore for her power to cure disease, avert epidemics, pacify strife, and otherwise protect those who recite her dhāraṇī from any obstacles they may face.

The Dhāraṇī “The Mother of the Grahas” contains instructions for a maṇḍala offering and dhāraṇī recitation practice for appeasing and pacifying the nine celestial grahas as well as a variety of harmful beings. These dhāraṇī instructions are part of the broader popular tradition for performing offerings to appease and gain the favor of the celestial grahas that remain widespread across South Asia and the South Asian diaspora to the present day.

The Dhāraṇī “The Mother of the Grahas” contains instructions for a dhāraṇī recitation practice that will bring an end to any negative influences from the celestial grahas and protect beings from harm. These dhāraṇī instructions are part of the broader popular tradition for performing offerings to appease and gain the favor of the celestial grahas that remain widespread across South Asia and the South Asian diaspora to the present day.

The Noble Dhāraṇī of the Eight Goddesses is a teaching that was given by the bodhisattva Vajrapāṇi to the bodhisattva Mañjuśrī on a set of dhāraṇīs that corresponds to an eight-goddess maṇḍala. The text consists of material extracted from the work that precedes it in the Degé Kangyur, the Vajra­pāṇyabhiṣeka.

The Dhāraṇī of Tārā is a short dhāraṇī that invokes the goddess Tārā, seeking her intervention in the face of obstacles and negative forces.

The Dhāraṇī “Tārā’s Own Promise” is a short dhāraṇī invoking the goddess Tārā.

The Sūtra of Mahāśrī is a short sūtra revealed to Avalokiteśvara in the pure land of Sukhāvatī. In essence, it is a dhāraṇī centered on twelve epithets of the goddess of wealth and a short ritual instruction concerning its recitation. The spell is said to provide protection, wealth, and good social standing.

The Twelve Names of the Goddess Śrī is a short text revealed to Avalokiteśvara in the pure land of Sukhāvatī. In essence, it is a dhāraṇī centered on twelve epithets of the goddess of wealth. The spell is said to provide prosperity.

The Dhāraṇī “Purifying All Karmic Obscurations” is a relatively brief text consisting of a short dhāraṇī and a passage about its applications and benefits. Most applications have to do with death and funerary rituals, as the text provides many methods to aid the departed toward a favorable rebirth.

The Dhāraṇī “Pacifying All Suffering” is a short dhāraṇī text in which, at Vajrapāṇi’s request, the Buddha Śākyamuni teaches a mantra associated with Mañjuśrī Vādisiṃha that serves as a method for the pacification of suffering.

This text consists of a short mantra for incanting medicines that has been extracted from Destroyer of the Great Trichiliocosm (Toh 558).?

A Mantra for Incanting Medicines When Administering Them is a short work that pays homage to the Three Jewels and the Medicine Buddha, and provides a mantra to be used for incanting medicines.

This brief discourse is identified more precisely in its colophon as a supplementary chapter from The Great Cloud on “the array of winds that bring down rainfall.” It describes a visit from the Buddha Śākyamuni to the realm of the nāgas. The assembly of nāgas pays homage to the Buddha with a grand panoply of magically emanated offerings, and their king asks him to explain how the nāgas can eliminate their own suffering and aid sentient beings by causing timely rain to fall. The Buddha, in response, extols the benefits of loving-kindness and then teaches them a dhāraṇī that when accompanied by the recitation of a host of buddha names will dispel the nāgas’ suffering and cause crops to grow. At the nāga king’s request, the Buddha then teaches another long dhāraṇī that will cause rain to fall during times of drought. The discourse concludes with instructions for constructing an altar and holding a ritual rainmaking service.

The Dhāraṇī of the Supreme Stem Ornament is a short work that includes several prayers for protection, each of which is followed by an essence-mantra.

The Dhāraṇī “Cloud of Offerings” includes a short dhāraṇī along with its rite. The dhāraṇī is used to make extensive offerings to the buddhas and bodhisattvas. Its recitation purifies evil and brings virtue to the reciter, such that he or she will be protected and, at the time of death, will take rebirth in Sukhāvatī.

The Dhāraṇī of the Polished Gem includes a short dhāraṇī and instructions to polish a gemstone while reciting the dhāraṇī, and to imagine that this results in a rain of offering substances, which the reciter should then offer.

This text consists of a short dhāraṇī followed by its application, a food offering made to the pretas (hungry spirits). The text says that by the power of the spell, the offering will be made manifold and there will be many future benefits for the person performing the rite.

This short text narrates Ānanda’s nocturnal encounter in the Banyan Grove in Kapilavastu with a gruesome female preta, or “hungry ghost,” with a burning mouth. The ghost tells Ānanda that he will die imminently and be reborn in the realm of the pretas unless he satisfies innumerable pretas with offerings of food the following morning. Terrified, Ānanda goes quickly to the Buddha and asks for advice. The Buddha then teaches Ānanda a dhāraṇī and an associated food offering ritual that together will satisfy innumerable ghosts and will cause offerings to the Three Jewels to multiply. The Buddha then instructs Ānanda to memorize and widely propagate this practice.

The Dhāraṇī of Refuge for the Preta Flaming Mouth recounts the nocturnal encounter of the monk Nanda with a gruesome preta (“hungry ghost”) who predicts his imminent death. After recounting his experience to the Buddha, he is taught a dhāraṇī and an associated food offering ritual to allay the sufferings of pretas and avert his prophesied fate.

The Buddha teaches The Heart Mantra of Gaṇapati to Ānanda at Vulture Peak. He recites the mantra, then gives a brief account of the protective benefits accrued by its daily recitation.

The Dhāraṇī of Glorious Mahākāla opens at the Vajra Seat under the Bodhi tree in Bodhgayā shortly after the Buddha Śākyamuni has defeated Māra and his demonic horde and attained awakening. As Śākyamuni sits under the Bodhi tree, Mahākāla approaches him, prostrates at his feet, sits to one side, and offers to give him a vidyā, or “spell,” as a gift. Mahākāla then pronounces his vidyā and tells Śākyamuni that it can be used to prevent diseases and ward off potentially harmful spirit beings. The text then concludes with Mahākāla’s promise to Śākyamuni to act as a guardian of temples and maṇḍalas and to protect the Three Jewels.

The Mahākāla Dhāraṇī: A Cure for All Diseases and Illnesses is a short work that contains a Mahākāla dhāraṇī recitation practice for removing illness from various parts of the body. The dhāraṇī progresses through a list of body parts, invoking Mahākāla to free each region from illness and disease.

The Dhāraṇī of Devī Mahākālī opens at the Bodhi tree in Bodhgayā shortly after the Buddha Śākyamuni has attained perfect awakening. As Śākyamuni sits at the base of the Bodhi tree, Devī Mahākālī circumambulates him three times and offers a vidyā, or “spell,” in homage at the Blessed One’s feet. Śākyamuni then expresses his wish that Mahākālī’s vidyā be used to bind all beings from the highest heaven down through the lowest hell of the desire realms.

In Śrīdevī Kālī’s One Hundred and Eight Names, the Buddha Śākyamuni recites fourteen verses about the goddess Śrīdevī Kālī, a samaya mantra for the goddess, and a number of verses on the qualities and virtue that will result from keeping the names of Śrīdevī Kālī in mind.

Praising the Lady Who Rules Disease, or, as it is alternatively titled, Eight Verses Praising Śrīdevī Mahākālī, is a short praise to the Dharma protector Śrīdevī Mahākālī. The text is included in the Compendium of Dhāraṇīs section of the Degé Kangyur as well as in the Tantra section of the Degé Tengyur.

In Praise of the Goddess Revatī includes a short praise to the goddess Revatī along with a dhāraṇī extracted from The Great Tantra of Supreme Knowledge (Toh 746). The praise itself is just a few lines long and addresses Revatī’s characteristics‍—her body is said to be made of gems and precious substances‍—and her familial lineage.

In Praise of the Glorious Goddess Sarasvatī presents a series of lyrical verses in praise of the deity Sarasvatī, the patron goddess of spoken and written eloquence. With evocative imagery and inspiring language, the praise pays tribute to Sarasvatī’s unimpeded speech, memory, and knowledge, and to her physical majesty and compassionate nature. The praise includes petitions requesting Sarasvatī to grant the devotee a level of eloquence and learning equal to that of the goddess herself. In the tradition of the Great Vehicle, the praise aligns the attainments of eloquent speech, strong memory, and great learning with the intention to use them for the benefit of other beings.

Invited to visit the city of Vaiśālī, which has been ravaged by a terrible epidemic, the Buddha instructs Ānanda to stand at the city’s gate and recite a proclamation, a long mantra, and some verses that powerfully evoke spiritual well-being. Ānanda does so, and the epidemic comes to an end. One of the mahāsūtras related to the literature of the Vinaya, this text, like other accounts of the incident, has traditionally been recited during times of personal or collective illness, bereavement, and other difficulties.