The Siṃhanāda Tantra is a short tantra that teaches the long mantra and a short practice of the form of Avalokiteśvara called Siṃhanāda, “Lion’s Roar.”

The Dhāraṇī of Avalokiteśvara Siṃhanāda recounts the story of how Avalokiteśvara Siṃhanāda tamed the nāgas and gained curative powers. The text teaches his dhāraṇī, along with several others, and gives ritual instructions for how to use these for healing and protection.

The Dhāraṇī of Siṃhanāda, also known as The Dhāraṇī of Siṃhanāda’s Promise, is a short work that teaches a dhāraṇī of Avalokiteśvara’s form as Siṃhanāda, “Lion’s Roar,” and gives a short instruction for using it to cure illness.

This is one of two short texts with the same title, The Noble Hundred and Eight Names of Avalokiteśvara, each of which enumerates the hundred and eight “names” of Avalokiteśvara, which are more like descriptive epithets. The first part of the text describes his many excellent qualities. The second part of the text describes the benefits that result from praising Avalokiteśvara with these names.

This is one of two short texts with the same title, The Noble Hundred and Eight Names of Avalokiteśvara, each of which enumerates the hundred and eight “names” of Avalokiteśvara, which are more like descriptive epithets. The first part of the text describes his many excellent qualities. The second part of the text describes the benefits that result from praising Avalokiteśvara with these names.

In this short sūtra, the bodhisattva Samantabhadra asks the Buddha to reveal The Mother of Avalokiteśvara, a powerful dhāraṇī that helps practitioners progress on the path to awakening. The Buddha grants his request and relates how he had himself received the dhāraṇī. Samantabhadra then speaks the dhāraṇī, after which the Buddha states its benefits.

In this scripture of the Action Tantra genre, the Buddha gives instructions to the bodhisattva Mañjuśrī on the rituals and mantras associated with the goddess Tārā. The tantra includes a description of Tārā, a nine-deity maṇḍala and related initiations, and a litany of ritual practices associated with the four activities.

In this sūtra, the goddess Tārā recites a dhāraṇī before an assembly of gods, asuras, and spirits of various types, which brings them peace and stills their speech. The assembled beings then sing praise for Tārā in the form of one hundred and eight epithets of the goddess. Tārā gives a pithy teaching on the importance of seeking liberation and on the right attitude needed for this endeavor. Finally, the goddess gives encouragement and extols the power of the dhāraṇī.

The Dhāraṇī of Tārā is a short dhāraṇī that invokes the goddess Tārā, seeking her intervention in the face of obstacles and negative forces.

The Dhāraṇī “Tārā’s Own Promise” is a short dhāraṇī invoking the goddess Tārā.

In this sūtra, the goddess Tārā warns the gods of the desire realm about the miseries of saṃsāra and offers a pithy Dharma teaching to free them from harm. Tārā begins by vividly portraying the various kinds of suffering endured by beings in each of the six realms of saṃsāra and then points out the futility of reciting mantras without maintaining pure conduct. She goes on to encourage the listeners to engage in virtue, which puts an end to saṃsāra, and she bestows on them a dhāraṇī that will help them to achieve this goal, a praise of her qualities, and a request for her divine protection that they should recite. Finally, she enjoins the audience to read and practice the teaching and share it with others.

The Yaśovatī Dhāraṇī is a collection of six dhāraṇīs that can be recited to cure and protect oneself from various illnesses, avert the influence of demonic beings, and, in one case, to revive the recently deceased.

The Dhāraṇī of Parṇaśavarī is a short dhāraṇī dedicated to the piśācī Parṇaśavarī, who is renowned in Buddhist lore for her power to cure disease, avert epidemics, pacify strife, and otherwise protect those who recite her dhāraṇī from any obstacles they may face.

In Praise of the Glorious Goddess Sarasvatī presents a series of lyrical verses in praise of the deity Sarasvatī, the patron goddess of spoken and written eloquence. With evocative imagery and inspiring language, the praise pays tribute to Sarasvatī’s unimpeded speech, memory, and knowledge, and to her physical majesty and compassionate nature. The praise includes petitions requesting Sarasvatī to grant the devotee a level of eloquence and learning equal to that of the goddess herself. In the tradition of the Great Vehicle, the praise aligns the attainments of eloquent speech, strong memory, and great learning with the intention to use them for the benefit of other beings.

This sūtra recounts an event that took place in the buddha realm of Sukhāvatī. The discourse commences with the Buddha Śākyamuni relating to the bodhisattva Avalokiteśvara the benefits of reciting the various names of Śrī Mahādevī. The Buddha describes how Śrī Mahādevī acquired virtue and other spiritual accomplishments through the practice of venerating numerous tathāgatas and gives an account of the prophecy in which her future enlightenment was foretold by all the buddhas she venerated. The Buddha then lists the one hundred and eight blessed names of Śrī Mahādevī to be recited by the faithful. The sūtra ends with the Buddha Śākyamuni giving a dhāraṇī and a brief explanation on the benefits of reciting the names of Śrī Mahādevī, namely the eradication of all negative circumstances and the accumulation of merit and happiness.

The Sūtra of Mahāśrī is a short sūtra revealed to Avalokiteśvara in the pure land of Sukhāvatī. In essence, it is a dhāraṇī centered on twelve epithets of the goddess of wealth and a short ritual instruction concerning its recitation. The spell is said to provide protection, wealth, and good social standing.

The Twelve Names of the Goddess Śrī is a short text revealed to Avalokiteśvara in the pure land of Sukhāvatī. In essence, it is a dhāraṇī centered on twelve epithets of the goddess of wealth. The spell is said to provide prosperity.

The Dhāraṇī “Purifying All Karmic Obscurations” is a relatively brief text consisting of a short dhāraṇī and a passage about its applications and benefits. Most applications have to do with death and funerary rituals, as the text provides many methods to aid the departed toward a favorable rebirth.

The Bhūtaḍāmara Tantra is a Buddhist esoteric manual on magic and exorcism. The instructions on ritual practices that constitute its main subject matter are intended to give the practitioner mastery over worldly divinities and spirits. Since the ultimate controller of such beings is Vajrapāṇi in his form of Bhūtaḍāmara, the “Tamer of Spirits,” it is Vajrapāṇi himself who delivers this tantra in response to a request from Śiva. Notwithstanding this esoteric origin, this tantra was compiled anonymously around the seventh or eighth century ᴄᴇ, introducing for the first time the cult of its titular deity. Apart from a few short ritual manuals (sādhana), this tantra remains the only major work dedicated solely to Bhūtaḍāmara.

In this concise text, Vajrapāṇi, through the power and blessings of the Buddha and all bodhisattvas, proclaims a series of powerful dhāraṇī-mantras. The text concludes with verses on the benefits of the dhāraṇī and a simple ablution ritual.

The Dhāraṇī of the Iron Beak [1] is the third of the “five beak dhāraṇīs” (mchu sde lnga, Toh 759–763) and among the few scriptures in the Degé Kangyur concerned with weather control practices. In Indra’s Rock Cave on Vaidehaka Mountain, Śakra requests the Buddha for the wrathful means with which to protect the Buddhist teachings. The Buddha then recites the dhāraṇī of the iron beak along with a short discourse on its efficacy, ritual instructions for weather control, and an exhortation for secrecy.

The Dhāraṇī of the Iron Beak [2] is the fourth of the “five beak dhāraṇīs” (mchu sde lnga, Toh 759–763) and among the few scriptures in the Degé Kangyur concerned with weather control practices. In Indra’s Rock Cave on Vaidehaka Mountain, Śakra requests the Buddha for a teaching with which to guard against the asuras and protect the Buddhist teachings. The Buddha then recites the dhāraṇī formula in two parts along with a brief nāga subduing, weather control ritual. The benefits of the performance of this text include keeping the Buddhist teachings and practitioners safe from harm and ensuring proper rainfall for bountiful harvests.

The Dhāraṇī of the Polished Gem includes a short dhāraṇī and instructions to polish a gemstone while reciting the dhāraṇī, and to imagine that this results in a rain of offering substances, which the reciter should then offer.