• 84000
  • The Collection
  • The Kangyur
  • Tantra
  • Tantra Collection
  • Unexcelled Yoga tantras
  • Toh 425

This rendering does not include the entire published text

The full text is available to download as pdf at:
/translation/toh425.pdf

སྒྱུ་འཕྲུལ་ཆེན་མོའི་རྒྱུད།

The ​Mahā­māyā Tantra
The Third Instruction

Mahā­māyā­tantra
དཔལ་སྒྱུ་འཕྲུལ་ཆེན་མོའི་རྒྱུད་ཀྱི་རྒྱལ་པོ།
dpal sgyu ’phrul chen mo’i rgyud kyi rgyal po
The King of Tantras, the Glorious ‌Mahāmāyā
Śrī­mahā­māyā­tantra­rāja­nāma

Toh 425

Degé Kangyur, vol. 80 (rgyud ’bum, nga), folios 167.a–171.a

ᴛʀᴀɴsʟᴀᴛᴇᴅ ɪɴᴛᴏ ᴛɪʙᴇᴛᴀɴ ʙʏ
  • Jinavara
  • Gö Lhetsé

Imprint

84000 logo

Translated by the Dharmachakra Translation Committee
under the patronage and supervision of 84000: Translating the Words of the Buddha

First published 2013

Current version v 2.16.15 (2025)

Generated by 84000 Reading Room v2.26.1

84000: Translating the Words of the Buddha is a global non-profit initiative to translate all the Buddha’s words into modern languages, and to make them available to everyone.

Warning: Readers are reminded that according to Vajrayāna Buddhist tradition there are restrictions and commitments concerning tantra. Practitioners who are not sure if they should read this translation are advised to consult the authorities of their lineage. The responsibility for reading this text or sharing it with others who may or may not fulfill the requirements lies in the hands of readers.

Tantra Text Warning

Readers are reminded that according to Vajrayāna Buddhist tradition there are restrictions and commitments concerning tantra.

Practitioners who are not sure if they should read translations in this section are advised to consult the authorities of their lineage.

The responsibility for reading these texts or sharing them with others—and hence the consequences—lies in the hands of readers.

About unrestricted access

The decision to publish tantra texts without restricted access has been considered carefully. First of all, it should be noted that all the original Tibetan texts of the Kangyur, including those in this Tantra section, are in the public domain. Some of the texts in this section (but by no means all of them) are nevertheless, according to some traditions, only studied with authorization and after suitable preliminaries.

It is true, of course, that a translation makes the content accessible to a far greater number of people; 84000 has therefore consulted many senior Buddhist teachers on this question, and most of them felt that to publish the texts openly is, on balance, the best solution. The alternatives would be not to translate them at all (which would defeat the purposes of the whole project), or to place some sort of restriction on their access. Restricted access has been tried by some Buddhist book publishers, and of course needs a system of administration, judgment, and policing that is either a mere formality, or is very difficult to implement. It would be even harder to implement in the case of electronic texts—and even easier to circumvent. Indeed, nowadays practically the whole range of traditionally restricted Tibetan Buddhist material is already available to anyone who looks for it, and is all too often misrepresented, taken out of context, or its secret and esoteric nature deliberately vaunted.

84000’s policy is to present carefully authenticated translations in their proper setting of the whole body of Buddhist sacred literature, and to trust the good sense of the vast majority of readers not to misuse or misunderstand them. Readers are reminded that according to Vajrayāna Buddhist tradition there are restrictions and commitments concerning tantra. Practitioners who are not sure if they should read translations in this section are advised to consult the authorities of their lineage. The responsibility, and hence consequences, of reading these texts and/or sharing them with others who may or may not fulfill the requirements lie in the hands of readers.

Logo for the license

This work is provided under the protection of a Creative Commons CC BY-NC-ND (Attribution - Non-commercial - No-derivatives) 3.0 copyright. It may be copied or printed for fair use, but only with full attribution, and not for commercial advantage or personal compensation. For full details, see the Creative Commons license.

Options for downloading this publication

This print version was generated at 4.08pm on Monday, 27th January 2025 from the online version of the text available on that date. If some time has elapsed since then, this version may have been superseded, as most of 84000’s published translations undergo significant updates from time to time. For the latest online version, with bilingual display, interactive glossary entries and notes, and a variety of further download options, please see
https://84000.co/translation/toh425.


co.

Table of Contents

ti. Title
im. Imprint
co. Contents
s. Summary
ac. Acknowledgments
i. Introduction
+ 3 sections- 3 sections
· The Text
· About the Translation
· Note
tr. The Translation
+ 3 chapters- 3 chapters
1. The First Instruction
2. The Second Instruction
3. The Third Instruction
c. Colophon
ab. Abbreviations
n. Notes
b. Bibliography
+ 2 sections- 2 sections
· Sanskrit and Tibetan Sources
· English Sources
g. Glossary

s.

Summary

s.­1

The Mahāmāyātantra, named after its principal deity Mahāmāyā, is a tantra of the Yoginītantra class in which Mahāmāyā presides over a maṇḍala populated primarily by yoginīs and ḍākinīs. The practitioner engages the antinomian power of these beings through a threefold system of yoga involving the visualization of the maṇḍala deities, the recitation of their mantras, and the direct experience of absolute reality. As well as practices involving the manipulation of the body’s subtle energies, the Mahāmāyātantra incorporates the transgressive practices that are the hallmark of the earlier tantric systems such as the Guhya­samāja­tantra, specifically the ingestion of sexual fluids and other polluting substances. The tantra promises the grace of Mahāmāyā in the form of mundane and transcendent spiritual attainments to those who approach it with diligence and devotion.


ac.

Acknowledgments

ac.­1

This text was translated by the Dharmachakra Translation Committee. The translation was prepared by Ryan Damron with the assistance of Catherine Dalton, and was edited by Andreas Doctor.

This translation has been completed under the patronage and supervision of 84000: Translating the Words of the Buddha.


i.

Introduction

i.­1

The Mahāmāyātantra, named after its principal deity Mahāmāyā, belongs to the class of Yoginītantras. According to the post-tenth-century classification scheme of the Tibetan New Schools (gsar ma), the Mahāmāyātantra is categorized as a Mother tantra (ma rgyud) among Unexcelled Yoga tantras (bla na med pa’i rnal ’byor gyi rgyud, yoga­niruttara­tantra). It earns this classification due both to the importance placed on female divinities in the tantra’s maṇḍala and to its inclusion of practices focused on the manipulation of the body’s subtle energies. In this tantra, Mahāmāyā presides over a maṇḍala populated primarily by yoginīs and ḍākinīs, those semidivine female figures known throughout South Asian tantric traditions for the power they derive from being propitiated with blood, flesh, and sex. The practitioner engages the antinomian power of these beings through a threefold system of yoga involving the visualization of the maṇḍala deities, the recitation of their mantras, and the direct experience of absolute reality. The Mahāmāyātantra also incorporates the transgressive practices that are the hallmark of earlier tantric systems such as the Guhya­samāja­tantra,1 specifically the ingestion of sexual fluids and other polluting substances. The tantra promises the grace of Mahāmāyā in the form of mundane and transcendent spiritual attainments (siddhi) to those who approach it with diligence, courage, and devotion.

The Text

About the Translation

Note


Text Body

The Translation
The King of Tantras, the Glorious Mahāmāyā

1.
Chapter 1

The First Instruction

[F.167.a]


1.­1

Homage to the Glorious Vajraḍākinī!

I pay homage to the protector of beings, Glorious Vajraḍākinī,
Universal sovereign of the ḍākinīs, the very essence of the five wisdoms and three bodies.
1.­2
I pay homage to all the vajraḍākinīs
Who cut the bonds of conceptual thought and descend to act in the world.
1.­3
Now, following that, I will explain the tantra called The Supreme Secret of the Secret Goddesses, the Vajraḍākinīs. [F.167.b]
1.­4
She pervades the entire Egg of Brahmā, the animate and inanimate.
She is the source of all goddesses and rules over Brahmā and the rest.

2.
Chapter 2

The Second Instruction

2.­1
Now, following that, I will explain the sublime secret syllable that bestows the result of the spiritual attainment for the practice of the great queens of yoga.
2.­2
Merely visualizing her, the yoginī grants the best of things.
Apply the first syllable and sustain the upward breath.38
2.­3
Taking that which comes at the end of the eight together with ū and the bindu,
The yogī moves the downward breath, abandoning the real and unreal. [510]
2.­4
The observances are not explained: the activities of the garland mantra,
Of retention, and of fire offerings are all omitted.39

3.
Chapter 3

The Third Instruction

3.­1
Now comes a thorough explanation of the supreme accomplishment of the samaya:
The ingestion of the other gathered substances that bestow the result of omniscience.
3.­2
By their mere consumption the mothers of the spirits are accomplished:46
Elephant and horse, and so too cow and dog.
3.­3
Mixed with the great one and also the five wisdom nectars,
From the fourteenth to the eighth they are combined and mingled together.47
3.­4
Left inside a jackal for seven days, remove them. [512]
Roll the five into pellets the size of mustard seeds.
3.­5
Indeed this tantra teaches that from the eighth to the fourteenth
Cultivate them individually for seven days, mix them, and place them in a jackal.48
3.­6
Take them out‍—from the five make pellets the size of the fruit of spiritual attainment.
Because the great fruition is perfectly realized, it is taught in this tantra but fully concealed;
The buddhas have concealed the great fruition in every instance.
3.­7
Next follows the method of practice: visualize a mind lotus
Glowing red in color and endowed with the four goddesses.
It is adorned with the figure of the Buddha.
3.­8
In the east he shines like a blue lotus, to the south he is yellow,
To the west whitish red, and in the north he glows emerald.49
Shrouded in a garland of flames, he is beautiful with three eyes, four faces, and four arms.
3.­9

Imagine that the goddess in the east has three eyes and holds a khaṭvāṅga and bell in her left hands and a vajra and skull cup in her right hands. The goddess in the south wields a trident, a jewel, a banner, and a jackal. The goddess in the west holds a bow, an arrow, a multicolored lotus, and a skull cup. [F.170.a] The goddess in the north wields a sword, a noose, a hand drum, and a skull cup.


3.­10
In its center visualize the vajra body, speech, and mind
Bearing a skull cup and khaṭvāṅga, and so too a bow and arrow.
3.­11
Meditating on that which possesses the first mantra, it blazes for an instant.
Practicing like this, the yogī is granted the spiritual attainment of the substance. [513]
3.­12
Through the accomplishment of the yoginī, confidence swiftly develops.50
One can become entirely invisible and manifest a thousandfold at once.51
3.­13
Plunder from the buddhas and enjoy sublime celestial girls.52
With vajra eyes one will see, like an āmalaka fruit in the palm of one’s hand.
Buddhas equal to grains of sand in the Gaṅgā residing in their vajra realms,53
3.­14
Pure realms numerous as sand in the Gaṅgā, the features of awakened body, speech, and mind,54
The intrinsic condition of all objects‍—know them to arise from the mind’s dance.55
3.­15
Apply the syllables in reverse and meditate on the mantra.
Ingest each one of the pills infused with the vajra drink.
3.­16
Take the last of the eight syllables together with the ū and bindu;
Fix it firmly at the end and clearly pronounce the mantra: guhya bhakṣa abhakṣe hūṁ.56
3.­17
In perfect union with the yoginī take possession of the first syllable.
If desiring accomplishment through the vajra holder, a yogī consumes the manifest mantra seven times.
3.­18
The last of the three syllables sits clearly at the end of the eight.
Endowed with the ū and bindu it remains as the supreme syllable.
3.­19
The one linked to the first syllable is united with hrīḥ. [F.170.b]
Apply the last of the syllables and fix in place the five seeds.
3.­20
Meditate upon the syllable and cause the lotus to fully bloom.
For those who seek the accomplishment of a vajra holder, this union should be fully known.
3.­21

Then, the sublime vajra song which is the realization of the vajra yoginīs welcomes the one who thoroughly accomplishes existence:57

“Hey, friend! The vajra makes the lotus swell and bloom.
A la la la la ho! You have been aroused by the dance of great bliss.
The rays of the sun fully open the face of the lotus. [514]
You have become aroused by the dance of great bliss.”58
3.­22
Then, simply through this song sung to the great vajra holder
The vajraḍākinīs dance and call out to Vajrasattva.
3.­23
In this way one with consistent devotion gains the spiritual attainment of union.
Through perfect union in the four times, accomplishment is gained‍—this is the supreme meditation.
3.­24
Adorned with all perfect ornaments and wreathed with flowers and perfume,
So the spiritual attainment that bestows the sublime three bodies is certainly attained,
Causing its perfect illumination within a hundred miles.
3.­25
From the perfect application of the two powers arise the substances of the nine doors.
One will accomplish the unsurpassable essence, the peace of abiding in the awakening of buddhahood.
3.­26
Now, in verse form:
The forms, the seals, and the attributes,
The substances, absorptions, and meditations‍—
These various ritual methods have been set forth,
Taught according to the desires of the goddess’s mind.
3.­27

Whoever keeps this tantra at home, keeps it with him always, and chants and meditates upon it will no longer experience illness, aging, obstacles, or death. He will be forever protected from obstacles by the queens among yoginīs.


3.­28

This completes the third instruction on the method of practice and ancillary activities, the supreme secret of secrets, that are the intent of the great vajraḍākinīs. [F.171.a]


3.­29

This completes the “Mahāmāyātantra.”


c.

Colophon

c.­1

It was translated and edited by the Indian preceptor Jinavara and the great Tibetan translator Gö [515] Lhetsé.


ab.

Abbreviations

G Guṇavatīṭīkā
S Mahāmāyātantrasya vṛtti smṛti
SM Mahāmāyāsādhanam (in Sādhanamālā)

n.

Notes

n.­1
The Mahā­māyā­tantra clearly postdates the Guhya­samāja­tantra because of the instances of intertextuality indicated below in notes 3 and 51–55. The Guhya­samāja­tantra, and similar works like the Guhya­garbha­tantra, demonstrate significant iconographic and ritual innovations over those works typically identified as Yoga‌ tantras, such as the Sarva­tathāgata­tattva­saṃgraha. Beginning in approximately the eighth century ᴄᴇ, the pacific and regal Vairocana was replaced at the center of tantric maṇḍalas by deities associated with the vajra family, frequently in the wrathful form of Akṣobhya known as Heruka. This shift is related to the introduction of transgressive practices and a wrathful, mortuary aesthetic into the established structure of the Yoga‌ tantras, leading some Indian Buddhist commentators to begin to refer to Mahāyoga, or “Great yoga,” tantras. In the later Tibetan doxographical schemes of the New Schools these tantras would be identified as Father tantras (pha rgyud), joining the Yoginītantras in the class of Unexcelled Yoga tantra (yoga­niruttara­tantra). The Yoginītantras would build upon the framework of these tantras as they introduced their own unique iconographies and practices.
n.­2
On the dating of the Cakra­saṃvara­tantra, see Gray (2007) pp. 11–14, and Sanderson (2009) pp. 158–69.
n.­3
Verses 3.12–14 of the Mahā­māyā­tantra contain a number of close correspondences with verses 12.52, 53, and 55 of the Guhya­samāja­tantra.
n.­4
Regarding Ratnākaraśānti’s dating, see Isaacson (2001) p. 458, n. 4.
n.­5
For the dating of Kṛṣṇavajra, see Isaacson (2001) p. 457, n. 2.
n.­6
Tāranātha, F.3.a.7–3.b.6. Although there is no definitive evidence, some assert that Kaṇha and Kṛṣnācārya are identical.
n.­7
’gos lo tsa wa (1988), pp. 208–9.
n.­8
See bibliography.
n.­38
“Sustain the upward breath”: this translates the Sanskrit ucvāsasam kurute, which is rendered in the Tibetan translation as dbug gtang bar bya.
n.­39
Ratnākara­śānti reads “restriction” (Skt. yantraṇa) in place of “garland” (Skt. mālā) [G, p. 27]. In his commentary he connects both restriction and retention with the movements of the breath (yantraṇā dhāraṇā ca prāṇavāyoḥ). A variant of the first line of this verse is attested, in Sanskrit, in a sādhana associated with the Mahā­māyā­tantra found in the Sādhana­mālā (#221 in SM vol. 2, pp. 434–36): na japaṃ na vrataṃ tasya nopavāso vidhīyate. Kṛṣṇavajra confirms this variant in his commentary.
n.­46
“Mothers of the spirits”: we have here followed Ratnākaraśānti in reading the Sanskrit term gūḍhamātaraḥ [G, p. 36], which appears as ’byung po mi rnams in Tibetan translation. In South Asian mythology, the gūḍhas are a class of beings that attend upon Kubera, the lord of wealth.
n.­47
Kṛṣṇavajra identifies this line as corrupt [S, F.213.b]. He notes that it should read “from the eighth until the fourteenth,” which is the span of seven days mentioned in the next verse.
n.­48
Ratnākaraśānti cites a different line of verse here, which collapses this line and the first line of the next verse: “On the night of the spirits (Skt. bhūtarau) these fruits of accomplishment (Skt. siddhārtha­phalāni) are to be placed inside a jackal (Skt. śivāṅgamadhye sthāpyānti).” [G, p. 37].
n.­49
According to Ratnākaraśānti’s commentary, the deity has a purely white face in the west [G, p. 39].
n.­50
“Yoginī”: Ratnākaraśānti reads “yogas” (Skt. yogāḥ) [G, p. 41] where the Tibetan has “yoginī” (Tib. rnal ’byor ma).
n.­51
This line corresponds closely with verse 12.52, line 2 of the Guhya­samāja­tantra.
n.­52
Ratnākaraśānti reads siddhānāṃ kanyām, “the maidens of the siddhas” [G, p. 41]. This line corresponds closely with verse 12.52, line 3 of the Guhya­samāja­tantra.
n.­53
This line corresponds closely with verse 12.53, line 2 of the Guhya­samāja­tantra.
n.­54
This line corresponds closely with verse 12.55, line 1 of the Guhya­samāja­tantra.
n.­55
This line corresponds closely with verse 12.55, line 2 of the Guhya­samāja­tantra.
n.­56
In his commentary on verse 3.18 Kṛṣṇavajra gives the mantra as oṁ a guhya aguhya bhakṣa abhakṣe hūṁ [S, F.216.a].
n.­57
Both Ratnākaraśānti [G, p. 160] confirms a genitive relationship between the terms “vajra yoginīs” and “realization,” which has been followed here. The Tibetan editions all contain the agentive kyis.
n.­58
This song has been translated from the Prākrit as it appears in Ratnākaraśānti’s sādhana [SM #239, p. 460]: hale sai viasia kamalu pabohiu vajjeṁ | a la la la la ho mahāsuheṇa ārohiu ṇacceṁ | ravikiraṇeṇa paphulliu kamalu mahā­suheṇa | a la la la la ho mahā­suheṇa ārohiu ṇacceṁ.

b.

Bibliography

Sanskrit and Tibetan Sources

dpal sgyu ’phrul chen po’i rgyud kyi rgyal po. Toh. 425. Degé Kangyur vol. 80 (rgyud ’bum, nga), folios 167.a–171.a.

dpal sgyu ’phrul chen mo’i rgyud kyi rgyal po. Lhasa Kangyur vol. 82 (rgyud ’bum, nga), folios 43.a–49.b.

sgyu ’phrul chen mo’i rgyud. Narthang Kangyur vol. 83 (rgyud ’bum, nga), folios 38.a–44.b.

dpal sgyu ’phrul chen po’i rgyud. Peking Kangyur, rgyud ’bum, vol. nga, folios 153.a–157.a.

sgyu ’phrul chen mo’i rgyud. Stok Palace Kangyur vol. 94 (rgyud ’bum, ga), folios 344.b–349.b.

dpal sgyu ’phrul chen po’i rgyud kyi rgyal po. bka’ ’gyur (dpe bsdur ma) [Comparative Edition of the Kangyur], krung go’i bod rig pa zhib ’jug ste gnas kyi bka’ bstan dpe sdur khang (The Tibetan Tripitaka Collation Bureau of the China Tibetology Research Center). 108 volumes. Beijing: krung go’i bod rig pa dpe skrun khang (China Tibetology Publishing House), 2006-9, vol. 80 (rgyud ’bum, nga), pp. 536–47.

Kṛṣṇavajra. sgyu ’phrul chen mo’i rgyud kyi ’grel pa dran pa (*Mahā­māyā­tantrasya vṛtti smṛti) [Recollection: A Commentary on the Mahāmāyā Tantra]. Toh 1624, Degé Tengyur vol. 25 (rgyud ’grel, ya), folios 201.a–219.a. (S)

Ratnākaraśānti. Guṇavatīṭīkā [A Commentary Endowed with Qualities]: (1) dpal sgyu ’phrul chen mo’i ’grel pa yon tan ldan pa. Toh 1623, Degé Tengyur vol. 25 (rgyud ’grel, ya), folios 180.b–201.a. (2) Mahāmāyātantram with Guṇavatī by Ratnākaraśānti. Rare Buddhist Text Series vol. 10. Edited by Samdhong Rinpoche and Vrajavallabh Dwivedi. Varanasi: Central Institute of Higher Tibetan Studies, 1992. (G) (3) Kaiser Library, Kathmandu (ms. 226). Palm leaf manuscript in Golmola script. (4) Nepal National Archives, Kathmandu (ms. 2–906). Nepali paper manuscript in Devanāgarī script.

Ratnākaraśānti. Mahā­māyā­sādhanam [A Sādhana for the Mahā­māyā­tantra]: (1) sgyu ma chen mo’i sgrub thabs (Mahāmāyāsādhanam). Toh 1643, Degé Tengyur vol. 25 (rgyud ’grel, ya), folios 269.b–273.b. (2) In Sādhanamālā vol. 2. Edited by Benoytosh Bhattacarya, 458–64. Baroda: Oriental Institute, 1968. (SM)

Tāranātha. dpal rgyud kyi rgyal po sgyu ’phrul chen mo ma ha ma ya’i rgya cher bshad pa de kho na nyid kyi sgron ma [The Lamp of Suchness: A Detailed Explanation of the Glorious King of Tantras, the Mahāmāyātantra]. In gsung ’bum, ’dzam thang par ma ed., vol. 11 (da), pp. 465–657. dzam thang dgon: [s.n.], 199-. (BDRC W22276)

Tāranātha. sgyu ’phrul chen mo’i khrid yig rgyal ba’i lam bzang [The Excellent Path of the Victorious Ones: The Instruction Manual for Mahāmāyā]. Ibid., vol. 11 (da), pp. 447–64.

Tāranātha. dpal ma ha ma ya’i dkyil ’khor gyi sgrub thabs rin chen myu gu [The Jeweled Sprout: A Practice Manual for the Maṇḍala of the Glorious Mahāmāyā]. Ibid., vol. 11 (da), pp. 431–45.

’gos lo tsa wa gzhon nu dpal. deb ther sngon po. New Delhi: International Academy of Indian Culture, 1974. Translated as The Blue Annals, see below.

English Sources

Dalton, Jacob (2004). “The Development of Perfection: The Interiorization of Buddhist Ritual in the 8th and 9th Centuries.” Journal of Indian Philosophy 23 (2004): 1–30.

Dalton, Jacob (2005). “A Crisis of Doxography: How Tibetans Organized Tantra during the 8th–12th Centuries.” Journal of the International Association of Buddhist Studies 28:1 (2005): 115–81.

English, Elizabeth. Vajrayoginī: Her Visualizations, Rituals, and Forms. Boston: Wisdom Publications, 2002.

’gos lo tsa wa. The Blue Annals. Translated by George N. Roerich. Delhi: Motilal Banarsidass, 1988.

Gray, David B. The Cakrasaṃvara Tantra (The Discourse of Śrī Heruka): A Study and Annotated Translation. New York: American Institute of Buddhist Studies, 2007.

Isaacson, Harunaga. “Ratnākaraśānti’s Hevajrasahajasadyoga: Studies in Ratnākaraśānti’s Tantric Works I.” In Le Parole e i Marmi: studi in onore di Raniero Gnoli nel suo 70° compleanno, 457–87. Vol. 1 of Serie Orientale Roma XCII. Roma: Istituto Italiano per l’Africa e l’Oriente, 2001.

Kongtrul, Jamgön. The Treasury of Knowledge: The Elements of Tantric Practice. Translated by Elio Guarisco and Ingrid McLeod. Ithaca: Snow Lion Publications, 2008.

Sanderson, Alexis. “The Śaiva Age.” In Genesis and Development of Tantra, edited by Shingo Einoo, 17–349. Tokyo: Institute of Oriental Culture, University of Tokyo, 2009.


g.

Glossary

Types of attestation for names and terms of the corresponding source language

AS

Attested in source text

This term is attested in a manuscript used as a source for this translation.

AO

Attested in other text

This term is attested in other manuscripts with a parallel or similar context.

AD

Attested in dictionary

This term is attested in dictionaries matching Tibetan to the corresponding language.

AA

Approximate attestation

The attestation of this name is approximate. It is based on other names where the relationship between the Tibetan and source language is attested in dictionaries or other manuscripts.

RP

Reconstruction from Tibetan phonetic rendering

This term is a reconstruction based on the Tibetan phonetic rendering of the term.

RS

Reconstruction from Tibetan semantic rendering

This term is a reconstruction based on the semantics of the Tibetan translation.

SU

Source unspecified

This term has been supplied from an unspecified source, which most often is a widely trusted dictionary.

g.­1

Akaniṣṭha

Wylie:
  • ’og min
Tibetan:
  • འོག་མིན།
Sanskrit:
  • akaniṣṭha

The highest of the buddhafields. The term can be used to indicate the pure realm of the dharmakāya in general or can refer to the six realms between the highest heaven of the form realm and the realm of dharmakāya.

Located in 1 passage in the translation:

  • 2.­16
g.­2

āli kāli

Wylie:
  • A li kA li
Tibetan:
  • ཨཱ་ལི་ཀཱ་ལི།
Sanskrit:
  • āli kāli

The vowels (āli) and consonants (kāli) of the Sanskrit alphabet.

Located in 1 passage in the translation:

  • 1.­19
g.­3

commitment

Wylie:
  • dam tshig
Tibetan:
  • དམ་ཚིག
Sanskrit:
  • samaya

The level of commitments specifically associated with tantric practice. Also rendered here as “samaya.”

Located in 3 passages in the translation:

  • 1.­22
  • n.­31
  • g.­25
g.­5

ḍākinī

Wylie:
  • mkha’ ’gro ma
Tibetan:
  • མཁའ་འགྲོ་མ།
Sanskrit:
  • ḍākinī

Like yoginīs, these are semidivine female beings who have long haunted the margins of South Asian culture. They are frequently propitiated in order to acquire mundane and transcendent spiritual accomplishment.

Located in 8 passages in the translation:

  • s.­1
  • i.­1-2
  • i.­5
  • i.­7
  • 1.­1
  • 2.­15
  • g.­33
g.­7

Egg of Brahmā

Wylie:
  • tshangs sgo nga
Tibetan:
  • ཚངས་སྒོ་ང།
Sanskrit:
  • brahmāṇḍā

Traditional Brahmanical term for the created universe.

Located in 1 passage in the translation:

  • 1.­4
g.­9

Great Illusion

Wylie:
  • sgyu ’phrul chen mo
Tibetan:
  • སྒྱུ་འཕྲུལ་ཆེན་མོ།
Sanskrit:
  • mahāmāyā

The female central deity of the Mahā­māyā Tantra who appears in the form of the male Heruka. She was also a popular form of the Brahmanical great goddess (Mahādevī), to whom the Buddhist figure is intimately related. Also rendered here as “Mahāmāyā.”

Located in 3 passages in the translation:

  • i.­9
  • 1.­5
  • g.­17
g.­11

Heruka

Wylie:
  • he ru ka
Tibetan:
  • ཧེ་རུ་ཀ
Sanskrit:
  • heruka

The wrathful form of Akṣobhya, buddha of the vajra family, who appears in the center of many tantric maṇḍalas. He is typicaly depicted wearing mortuary implements and wreathed in flame.

Located in 7 passages in the translation:

  • i.­8-9
  • i.­17
  • n.­1
  • n.­13
  • g.­9
  • g.­17
g.­13

khaṭvāṅga

Wylie:
  • kha TwAM ga
Tibetan:
  • ཁ་ཊྭཱཾ་ག
Sanskrit:
  • khaṭvāṅga

A staff with a single or three-pointed tip and a freshly decapitated head, a rotting head and a skull skewered on its shaft.

Located in 3 passages in the translation:

  • i.­17
  • 3.­9-10
g.­15

Kṛṣṇavajra

Wylie:
  • nag po rdo rje
Tibetan:
  • ནག་པོ་རྡོ་རྗེ།
Sanskrit:
  • kṛṣṇavajra

An Eleventh or Twelfth century Buddhist commentator. Wrote Recollection: a commentary on the Mahāmāyā Tantra.

Located in 14 passages in the translation:

  • i.­3
  • i.­6
  • i.­11
  • i.­14
  • i.­19
  • n.­5
  • n.­30-31
  • n.­35
  • n.­37
  • n.­39
  • n.­42
  • n.­47
  • n.­56
g.­17

Mahāmāyā

Wylie:
  • sgyu ’phrul chen mo
Tibetan:
  • སྒྱུ་འཕྲུལ་ཆེན་མོ།
Sanskrit:
  • mahāmāyā

The female central deity of the Mahā­māyā Tantra who appears in the form of the male Heruka. She was also a popular form of the Brahmanical great goddess (Mahādevī), to whom the Buddhist figure is intimately related. Also rendered here as “Great Illusion.”

Located in 20 passages in the translation:

  • s.­1
  • i.­1
  • i.­5-9
  • i.­13
  • i.­16-18
  • 1.­5
  • 1.­22
  • 1.­25
  • n.­10
  • n.­13
  • n.­28
  • n.­32-33
  • g.­9
g.­18

mahāyoga

Wylie:
  • rnal ’byor chen po’i rgyud
Tibetan:
  • རྣལ་འབྱོར་ཆེན་པོའི་རྒྱུད།
Sanskrit:
  • mahā­yoga­tantra

A term used to describe the later tantras of the Yoga class that incoporated more transgressive pactices and a wrathful aesthetic. Typified by the Guhya­samāja­tantra and Guhya­garbha­tantra.

Located in 1 passage in the translation:

  • n.­1
g.­22

Ratnākaraśānti

Wylie:
  • rin chen ’byung gnas zhi ba
Tibetan:
  • རིན་ཆེན་འབྱུང་གནས་ཞི་བ།
Sanskrit:
  • ratnākaraśānti

An important eleventh-century Buddhist monastic scholar who wrote prolifically on a number on both Mahāyāna and Mantrayāna works.

Located in 33 passages in the translation:

  • i.­3
  • i.­6
  • i.­9
  • i.­12
  • i.­15-16
  • i.­19
  • n.­4
  • n.­13
  • n.­21-22
  • n.­23-25
  • n.­28
  • n.­30-34
  • n.­37
  • n.­40-43
  • n.­45
  • n.­46
  • n.­48-50
  • n.­52
  • n.­57-58
g.­24

sādhana

Wylie:
  • sgrub thabs
Tibetan:
  • སྒྲུབ་ཐབས།
Sanskrit:
  • sādhana

The method of practice. Experiential methods for actualizing spiritual attainments and liberation.

Located in 8 passages in the translation:

  • i.­3
  • i.­16-17
  • n.­21-22
  • n.­39
  • n.­58
  • g.­4
g.­25

samaya

Wylie:
  • dam tshig
Tibetan:
  • དམ་ཚིག
Sanskrit:
  • samaya

The level of commitments specifically associated with tantric practice. Also rendered here as “commitment.”

Located in 2 passages in the translation:

  • 3.­1
  • g.­3
g.­27

spiritual attainment

Wylie:
  • dngos grub
Tibetan:
  • དངོས་གྲུབ།
Sanskrit:
  • siddhi

The mundane and transcendent abilities that are conferred through the perfection of yogic practices.

Located in 17 passages in the translation:

  • s.­1
  • i.­1-2
  • i.­5
  • i.­14
  • 1.­22-24
  • 1.­33
  • 2.­1
  • 2.­20
  • 3.­6
  • 3.­11
  • 3.­23-24
  • n.­31
  • g.­24
g.­28

Unexcelled Yoga tantra

Wylie:
  • bla na med pa’i rnal ’byor gyi rgyud
Tibetan:
  • བླ་ན་མེད་པའི་རྣལ་འབྱོར་གྱི་རྒྱུད།
Sanskrit:
  • yoga­niruttara­tantra

A category of tantra that includes the so-called Father tantras like the Guhya­samāja Tantra and the “Mother,” or Yoginī, tantras into a single genre of tantra.

Located in 1 passage in the translation:

  • i.­1
g.­32

yoga

Wylie:
  • rnal ’byor
Tibetan:
  • རྣལ་འབྱོར།
Sanskrit:
  • yoga

A term that is generally used to refer to a wide range of spiritual practices. It literally means to be merged with or “yoked to,” in the sense of being fully immersed in one’s respective discipline.

Located in 11 passages in the translation:

  • s.­1
  • i.­1
  • 1.­11-12
  • 2.­1
  • n.­1
  • n.­14
  • n.­25
  • n.­50
  • g.­4
  • g.­18
g.­33

yoginī

Wylie:
  • rnal ’byor ma
Tibetan:
  • རྣལ་འབྱོར་མ།
Sanskrit:
  • yoginī

With a long history in South Asian folklore and religious traditions, yoginīs are liminal, trangressive, and often ferocious semidivine female figures associated with the bestowal of temporal and transcendent spiritual accomplishment. In Buddhist tantra they are identical to ḍākinīs.

Located in 25 passages in the translation:

  • s.­1
  • i.­1-2
  • i.­5
  • i.­7-8
  • i.­17-18
  • 1.­11
  • 1.­25
  • 1.­27
  • 1.­29
  • 2.­2
  • 2.­15
  • 3.­12
  • 3.­17
  • 3.­21
  • 3.­27
  • n.­22
  • n.­25
  • n.­50
  • n.­57
  • g.­5
  • g.­28
  • g.­34
g.­34

Yoginītantra

Wylie:
  • rnal ’byor ma’i rgyud
Tibetan:
  • རྣལ་འབྱོར་མའི་རྒྱུད།
Sanskrit:
  • yoginī­tantra

The last development of Buddhist tantra in India, focused upon the figure of the yoginī and the meditative manipulation of the subtle energetic anatomy of the physical body. Typified by the He­vajra­tantra, Cakrasaṃvaratantra, and the Mahā­māyā­tantra.

Located in 5 passages in the translation:

  • s.­1
  • i.­1-2
  • i.­14
  • n.­1
0
    You are downloading:

    The ​Mahā­māyā Tantra

    Click here to make a dāna donation

    This is a free publication from 84000: Translating the Words of the Buddha, a non-profit organization sharing the gift of Buddhist wisdom with the world.

    The cultivation of generosity, or dāna—giving voluntarily with a view that something wholesome will come of it—is considered to be a fundamental Buddhist practice by all schools. The nature and quantity of the gift itself is often considered less important.

    Table of Contents


    Search this text


    Other ways to read

    Download PDF
    Download EPUB
    Open in the 84000 App

    Spotted a mistake?

    Please use the contact form provided to suggest a correction.


    How to cite this text

    The following are examples of how to correctly cite this publication. Links to specific passages can be derived by right-clicking on the milestones markers in the left-hand margin (e.g. s.1). The copied link address can replace the url below.

    • Chicago
    • MLA
    • APA
    84000. The ​Mahā­māyā Tantra (Mahā­māyā­tantra, sgyu ’phrul chen mo’i rgyud, Toh 425). Translated by Dharmachakra Translation Committee. Online publication. 84000: Translating the Words of the Buddha, 2025. https://84000.co/translation/toh425/UT22084-080-009-chapter-3.Copy
    84000. The ​Mahā­māyā Tantra (Mahā­māyā­tantra, sgyu ’phrul chen mo’i rgyud, Toh 425). Translated by Dharmachakra Translation Committee, online publication, 84000: Translating the Words of the Buddha, 2025, 84000.co/translation/toh425/UT22084-080-009-chapter-3.Copy
    84000. (2025) The ​Mahā­māyā Tantra (Mahā­māyā­tantra, sgyu ’phrul chen mo’i rgyud, Toh 425). (Dharmachakra Translation Committee, Trans.). Online publication. 84000: Translating the Words of the Buddha. https://84000.co/translation/toh425/UT22084-080-009-chapter-3.Copy

    Related links

    • Other texts from Unexcelled Yoga tantras
    • Published Translations
    • Browse the Collection
    • 84000 Homepage
    Sponsor Translation

    Bookmarks

    Copyright © 2011-2024 84000 - All Rights Reserved
    • Website: https://84000.co
    • Contact
    • Privacy Policy